introduction |
cognitive linguistics |
technopoesis |
reusable images |
conclusions
Reusable Images on the Web
In Web-based hypertexts, it becomes possible for Web authors to download
and reuse pre-created visual images and include them as part of their
own sites in a way not easily paralleled in print. How does this copying/borrowing/reusing
and reappropriate of Web images change our understanding of authorship,
design, and the overall poesis of hypertext?
I suggest that this makes possible a new type of analysis of the Web,
one that is not limited to individual pages and sites, but extends across
them to examine how they draw on shared elements and use them in different
ways.
A unique aspect of the Web is that images can be borrowed from sites,
or found on clipart sites, and reused by any number of Web authors for
different purposes. While the image becomes a design element that can
just be picked out and plugged-into a Web document, it still can greatly
affect both the aesthetics and meaning of a site or page. This type
of image borrowing and recycling is not common in other forms of text,
and is made possible solely because of the nature of the Web as a medium.
"Celestial Spirit" by Sue
Dawe (shown left) appears on multiple pages, very often on
different types of pages with different purposes. The image takes
on different meanings depending on the context of the rest of the
Web site around them, each site drawing out metaphorical and cultural
connotations of the images. By comparing the metaphorical mappings
of the static image, it becomes possible to notice how the images
are used in context to further certain aesthetic and meaningful
ends.
Usually, the image appears in slightly modified form from site to
site.
For example, background colors may change, in some cases the
Pegasus is animated, and in some cases words will also be added
to the image. Often, the image will be presented only in part, focusing
just on the head, as the image to the right.
The Static Image
Even before taking stock of the different types of sites that use this
image, we can begin to make sense of the metaphor
or "Image-Schema" that the image invokes. First, we notice the following
aspects about the Pegasus in this image:
- wings up
- ears forward
- curve neck,
- motion (flight) suggests a travel metaphor, and the direction "up"
(source-path-goal).
Keeping this in mind, we can now look some of the sites the image appears
on and then begin arriving at some preliminary
conclusions.
Additional Sites
The images appears on a variety of sites, from fantasy, writing,
and art sites, to the commercial pages of sewer companies. This means
that while the image may have an association in our culture with fantasy
and inspiration, there is also a reason for businesses to also find
the image useful or appropriate, and this seems to suggest that in the
choice of the image, some underlying metaphors may come into play. When
placed into each new context, it's meaning shifts slightly, creating
somewhat different metaphorical meanings. Below are links to pages featuring the image, including a bank and a sewer company: