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Recent
Work in Electronic Literature
Here
is a smattering of locations on the network where you can find some
intriguing experiments in literature for the computer and the network.
These links are organized by individual works,
e-lit publishers, journals and
reviews, and meta-resources.
These
selections dont necessarily represent the best of
electronic literature, but I hope that theyll give you a sense
of the range of approaches that writers are taking to creating work
specific to the computer and network.
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Individual
Works |
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The
winner of the 2001 Electronic Literature Award for Fiction,
Caitlin Fishers These Waves of Girls is a hypertext
novella about girlhood, identity, cruelty, sexuality and
secrets. Larry McCaffery, the fiction judge who selected
the work for the award, found that . . . the writing
in these narrative shards (many of which are sharply etched
enough to draw blood) is by turns, tender, terrifying, erotic,
lyrical, witty, surprising -- and always emotionally engaging.
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riverIsland
by John Cayley
<http://homepage.mac.com/shadoof/>
John
Cayley, the British e-poet who won the 2001 Electronic Literature
Award for poetry for his transliteral morphing HyperCard
text-movie Windsound, advanced his project further
with the release this year of riverIsland, a series
of poems based on translations of Eighth Century Chinese
poet Wang Weis Wang River Sequence. The
HyperCard work uses Quicktime VR as a device to navigate
through this quietly meditative multilingual multimedia
poetryscape. (Mac only).
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Email
Literature by Alan Sondheim
<http://www.eliterature.org/interactions/starthere/work-alansondheim.shtml>
The
avant garde is dead. Long live the avant garde. Alan Sondheims
performative email practice is either genius or madness or
both simultaneously. Sondheim is probably the most prolific
writer working in electronic media today, and his work is
delightfully strange.
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Alternumerics
by Paul Chan
<http://nationalphilistine.com/alternumerics/>
Writer/designer/political
activist Paul Chans Alternumerics is conceptually
brilliant. The work consists of a series of fonts in which
each keystroke represents not a letter but a phrase, a bit
of handwriting, or a measure of white space. The result
is something between fiction, design and conceptual art.
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Exhale
by Orit Kruglanski and Raquel Paricio
<http://www.soymenos.com/respira/exhale/>
To
read this poem in its entirety, the reader must breathe
life into it. As the reader blows gently into the
microphone, the words float around and assemble with the
flow of the reader's breath. It's an ingenious idea for
an interface, and the content of the poem relates thematically
to the process of interacting with the poem. (Mac only).
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Blue
Company by Rob Wittig
<http://www.tank20.com>
Rob
Wittigs subscription serial email novel Blue Company
saw its second performance in 2002. Subscribers received
a epistle in their inbox every day for a month from Berto
Alto, a copywriter who had been transferred by his company
through time and space to 14th Century Italy. As he has
so adroitly in previous works, Wittig successfully mixed
genres of the past with the media of the future in this
engaging email novel. A preview is available online.
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The
Iliad by Homer, Barry Smylie and collaborators
<http://barrysmylie.com/iliad/iliad000.htm>
An
ambitious project retelling Homer's Iliad, using
contemporary imagery and flash animations, taking artistic
advantage of multimedia to make a classic tale accessible
to a new audience.
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Mysteries
and Desire: Searching the Worlds of John Rechy by Marsha
Kinder and the Labyrinth Project
<http://www.annenberg.edu/labyrinth/electronic.html>
A
project centering on the life and work of novelist John Rechy,
this CD-ROM project attempts to reconceptualize the memoir
genre for the electronic media. Produced by the Labyrinth
Project, an interactive offshoot of the University of Southern
California film school, Mysteries and Desires has high
production values.
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The
Doll Games by Shelley and Pamela Jackson
<http://www.ineradicablestain.com/dollgames>
Shelley
Jackson, the author of the groundbreaking Storyspace hypertext
Patchwork Girl and the recent print collection
The Melancholy of Anatomy, teamed up with her sister,
Rhetoric Ph.D. Pamela Jackson, to produce this by turns
hilarious, thought-provoking, and extensively self-referential
examination of the games the two used to play with their
modified and mutilated dolls during their youth in seventies
Berkeley. The best metafiction Ive read in years.
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Newspoetry
<http://www.newspoetry.com>
This
Urbana, Illinois-based writing collective founded by William
Gillespie and edited by Joe Futrelle, has been presenting
all the news that scans for four years running.
Each day, Newspoetry presents a new poem (or text
of some kind) presenting a reaction to the news of the day.
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Eastgate
Systems
<http://www.eastgate.com>
Eastgate
is the oldest, best, and essentially the only commercial publisher
of hypertext literature. Its stable includes classics such
as Shelley Jacksons Patchwork Girl, Michael Joyces
afternoon, a story, and Stuart Moulthrops Victory
Garden, as well as new work including Judd Morrisey and
Lori Talleys stunning My Name is Captain, Captain.
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Alt-X
<http://www.altx.com>
The
Alt-X online publishing network is home to a variety of elit,
net art, and avant garde publishing projects, including Hyper-X
and most recently Alt-X press, an experiment in free e-book/pay-for
Print On Demand publishing. Copyleft central.
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Spineless
Books
<http://www.spinelessbooks.com>
A
2002 word palindrome, a 50,000 word lipogram, the print remnants
of Invisible Seattle, a 20 Consonant Funk Song MP3, the Table
of Forms, and may other surprises. Spineless is a publishing
model based on the strange delights of eccentric language
in several media.
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The
Electronic Book Review
<http://www.electronicbookreview.com>
The
Electronic Book Review, edited by Joseph Tabbi, is the
best place to find serious criticism of electronic literature
and digital culture on the Web, presented in an ingenious
remix-friendly database interface.
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The
Iowa Review Web
<http://www.uiowa.edu/~iareview/mainpages/tirweb.html>
The
new incarnation of the Iowa Review Web, edited by
Thomas Swiss, promises to be a great resource for e-lit
readers, featuring interviews with and essays about the
work of some of the more interesting writers in the field.
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Poems
that Go
<http://www.poemsthatgo.com>
Poems
that Go is the place to go for kinetic poetry, time-based
motion graphics, reactive media, Flash & Quicktime poems,
whatever you want to call them, poems that go.
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Beehive
<http://beehive.temporalimage.com>
From
hypertext to codework to flash fiction to plaintext to prose
for the Palm Pilot, the five online volumes of Beehive
marry excursions into the nether territories of narrative
and signification with exquisite design.
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Drunken
Boat
<http://www.drunkenboat.com>
Drunken
Boat presents a refreshing mix of the traditional lit
mag staples: fiction, poetry, expository writing and photography,
with sound and Web art in a mélange that could only
work on the network.
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The
Electronic Literature Directory
<http://directory.wordcircuits.com>
The
Electronic Literature Organizations directory can guide
you to hundreds of experiments in digital writing.
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Rhizome
<http://www.rhizome.org>
Rhizome has long been for Net Art what the Electronic
Literature hopes to be for E-Lit: a catalyst, resource, community
center and gallery space. Youre always sure to find some
exciting new interfaces, compelling discourse, and fresh art
at Rhizome. |
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The
opening eyecandy is "May Pop" by Fischerspooner, and
was part of the shine02 <http://www.shine02.org>
exhibition of net art, celebrating Amnesty International's fortieth
anniversary.
The
song linked from the front page is "Day Job" by singer/songwriter
Paul Kotheimer, from his album "What I've Learned So Far,"
available from Handmade Records <http://www.handmaderecords.com>.
Thanks
a bundle to Jim Kalmbach for the Web design.
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Home * Preliminaries
* The Context of Electronic Literature
* My Seduction into Electronic Literature
* About the Electronic Literature Organization
* Recent Work
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