Polymorphously
Perverse
TEXTS

. . . Now we literally marginalize our pleasures, writing around the text, away from the text, at a distance.

. . . what happens when we begin to take less-authorized, polymorphously perverse pleasure in our texts, when we begin to treat texts less as objects out there and more as objects that we—literally—transgress the boundaries of, fragment, unmake, and remake. (Johnson-Eilola, 2012)

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