Introducing Inventio

Inventio, a new section of Kairos publishing one webtext each year, invites authors to explore and showcase the process of creating new media scholarship.

Inventio focuses on the decisions, contexts, and contributions that have constituted a particular webtext. As we envision it, Inventio authors will be able to include, alongside or integrated with their finished webtexts, materials that help them articulate how and why their work came into being.

For some authors, this will mean focusing on the editorial process that happens behind the scenes at Kairos: the feedback from reviewers and editors that, for the past 11 years, has helped Kairos authors shape their work. For other authors, Inventio will provide a forum for discussing production choices that have gone on behind the scenes, in essence allowing authors to guide the interpretation of their work by highlighting the hows and whys of its creation.

In addition to showcasing sophisticated and successful webtexts, then, Inventio aims to help readers understand the creation of new media scholarship, both in individual acts of production and in the collaborative process of publication.

Indeed, the overall goal of Inventio--which is also a key goal of Kairos--is to advance the composition and appreciation of smart, insightful, scholarly webtexts. We want to work with researchers in our field as they use multimodal design and new media technologies to present their arguments effectively, expand the application of production technologies, and teach and inspire others.

Publishing New Media Scholarship

Anyone who has ever composed, thought about composing, or asked students to compose a multimedia piece knows that there are many decisions to be made along the way: how to design the interface, what interactive options to offer readers, what modes to include, how to structure navigation. These kinds of decisions are not typically associated with academic writing, and yet they are all part of digital scholarship and contribute to its meaning.

Moreover, these decisions are not made in isolation. Kairos' editors and reviewers offer substantial feedback and guidance on submissions, with a unique, three-tiered peer reviewing process. As they make decisions about content, structure, design, and other issues, authors draw on the expertise of Kairos' section editors and editorial board, who are leading researchers in digital scholarship, rhetoric, pedagogy, and technology.

Writing for Inventio, then, an author might decide to include correspondence with editors and reviewers alongside the final webtext in order to make explicit the exchange of ideas that went on behind the scenes, as the webtext was shaped and revised for publication in Kairos. Inventio would show readers the development of a webtext from a relatively early stage through the mentoring and assistance of editors and reviewers.

Producing New Media Scholarship

Inventio authors can also choose to bring us into their production studios, describing not just the "how" of their digital production work, but the important "why" of the rhetoric behind these production choices, including the software they decide to use, visual and interface design choices, uses of different kinds of media elements (text, sound, image, video).

The material left on the cutting room floor, for example, might also make its way into an Inventio webtext: design concepts and choices that were abandoned (but that perhaps reappeared in another form in the webtext), alternate software, or even ideas and concepts that were interesting in their own right but that, rhetorically, did not serve the purposes of the final webtext.

In Inventio, authors can examine the reasoning behind their choices, the avenues they seek for help and inspiration, and the strategies they use to address particularly difficult and challenging design and production problems. In short, Inventio provides authors with a space for meta-commentary on their work.

Design

We wanted the design of this introduction to Inventio to be visually meaningful. The background image for this sidebar, created by Karl, is intended to evoke the collection of programs used to create our webtext. Software makes its influence felt in invention, shaping how we view, insert, and modify text, both for print and for online publications.

We chose the affordances of "Web standards" (particularly XHTML and CSS) to design the Inventio introduction, as standards advance the digital rhetorical goal of open access to all readers, regardless of equipment or ability. In theory, and after much testing, these introduction pages should be accessible to all readers, regardless of equipment or ability. While some readers, particularly those of older browsers (e.g., version 4 of Internet Explorer or Netscape), may have a diminshed visual experience, the textual content and illustrative images should all be accessible--now and into the future. The use of XHTML and CSS also made it possible to easily and quickly revise the design and the content--without disrupting either. Read more about the design of the Inventio introduction pages.

Inventio as DVD Bonus Material

Early in our discussions of Inventio, Karl suggested the metaphor of DVD bonus features as a way of understanding what Inventio authors might add to their webtexts; features like interviews and voice-over commentaries show us makers in the act of making and can provide a rich, interactive experience for viewers. This is particularly the case when bonus features are integrated into the movie, as with the "follow the white rabbit" interface of the DVD of The Matrix.

An extended explanation of the DVD metaphor was cut from an earlier version of this introduction, but you can see its influence in our desire to show the "behind the scenes" of production and publication.

An Exploration of Craft

At its heart, Inventio is an exploration of craft. As Malcolm McCullough remarked in Abstracting Craft: The Practiced Digital Hand, "Craft is a commitment to the worth of personal knowledge. It exists as a form of personal responsibility, unintimidated by institutions, corporations, or science. Yet it is not merely subjective, for its commitment allows us to participate in those same social spheres more effectively" (1996, p. 246).